The artists are the present-day warriors still carrying the torch first lit over one hundred years ago," Prapopoulos added.įor more information on the exhibition, contact Liz Leggett, Director of Exhibitions for MoCA Westport at or 203/222-7070. ![]() "The exhibition and its message – the right to vote, and the action and responsibility of everyone voting – is just as important now as in the past. Today, in 2022, we worry about the possible overturning of Roe v. This collaborative fiber art installation aims to weave in the audience in the same manner each fiber present in the exhibition sees history, experience, and value embodied.Įxhibition curator Melanie Prapopoulos stated, "At the time of the first edition of the exhibition's opening in September 2020, we mourned the passing of Justice Ruth Bader Ginsburg. Punctuating Women Pulling at the Threads of Social Discourse is an interactive loom experience, an initiative beginning with weaving from the FAMA founders and ending along the exhibition. With source material traversing recorded protests both past and present, Molina's protesters are intended to be vessels for reflection as well as kinship her weaving process is based upon that of Indigenous traditions throughout the Americas. Molina's Woven Destinies series, made from repurposed t-shirt yarn, presents faceless images of everyday citizens demonstrating in the public sphere. ![]() Her reinterpretation of the American flag made of crayons spelling out "democracy," latex condoms for In Latex We Trust, and the interactive We the People, is an extension of her practice and politics, marrying her use of functional items and textiles with complex social commentary on gender, collective action, and hope. McCoy's debut exhibition with The CAMP Gallery, March on Society, is reimagined for MoCA Westport's space, a survey of the artist's straightforward artistic voice. To bolster this exploration of the history of textile work within the scope of the feminine experience, Women Pulling at the Threads of Social Discourse is being shown alongside works by sculptor Shelly McCoy and artist Aurora Molina, and an interactive fiber installation. Within the exhibition, the visitor will experience flags composed completely of a range of fiber, from organza, velvet, linen, and silk, to repurposed clothes and plastics, jute, yarn, and canvas. The flags in Women Pulling at the Threads of Social Discourse were assembled using mixed media and the fiber arts to ignite positive social change. This version of the exhibition focuses on flags the flag banner is used as a metaphor or symbol of solidarity for the women of the suffrage movement and as an emblem of protest. ![]() Textile work, historically, is inextricable from the lived experience of women transnationally, and is continually relegated to the realm of the "feminine." Considering the sameness of voices given importance in society, and how this homogeneity has been supported by centuries of long-held social norms, it is all the more necessary to turn to the feminine experience including these voices, historically made to become silent observers, allows for an authentic shift in perspective, one that enriches, rather than destroys, our collective reality.
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